Question 8 midterm test) Your classmate Eissah says that the “creative” part of creative nonfiction refers to how the genre gives writers the creative freedom to reimagine how an event might have happened if things had gone differently. Why is Eissah wrong?

A. The word “creative” refers only to the genre’s form rather than the use of literary craft.
B. Creative nonfiction is not based at all on real events.
C. Creative nonfiction is based entirely on true events.
D. He’s not wrong—Eissah’s reasoning is accurate.

What are all of the literally devices in the poem l’envoi by willa cather

Read the following scene from trifles. mrs. peters. she was piecing a quilt. (she brings the large sewing basket, and they look at the bright pieces.) mrs. hale. it’s log cabin pattern. pretty, isn’t it? i wonder if she was goin’ to quilt or just knot it? (footsteps have been heard coming down the stairs. the sheriff enters, followed by hale and the county attorney.) sheriff. they wonder if she was going to quilt it or just knot it. (the men laugh, the women look abashed.) county attorney (rubbing his hands over the stove). frank’s fire didn’t do much up there, did it? well, let’s go out to the barn and get that cleared up. (the men go outside.) how would a film version most likely emphasize the men’s emotions during this scene? by emphasizing the variety of props used by showing the men’s facial expressions by highlighting the characters’ costumes by focusing on the actions of the women

What inference can you make about the narrator's point of view toward sudbury academy?