Please Help me with this question : In the poem "To the Virgins, Make Much of Time" -- How does this poem relate to the idea of carpe diem, or “seize the day”? Explain your reasoning.

a-he encouraged islamic schools to introduce greek texts.

d-he invited greek scholars to teach their texts to the locals.

explanation:

the transmission of the greek classics to latin western europe during the middle ages was a key factor in the development of intellectual life in western europe.[1] interest in greek texts and their availability was scarce in the latin west during the earlier middle ages, but as traffic to the east increased so did western scholarship.

mark brainliest and have a great day!

the narrator closes the lantern tightly so the old man is

not awakened by the bright light

explanation:

in the line from the end of the story "the cask of the amontillado," by edgar allan poe, the narrator has put the last stone on the wall, thus sentencing fortunato to death. just like that montresor associates his feeling of sickness to the humidity of the catacombs, and seems to be glad he has taken revenge on fortunato. however, montresor's last words are "in pace requiescat," which mean "may he rest in peace." as a result, it can be inferred that he hides or does not want to assume his guilt or remorse for killing fortunato in such a horrible way.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran