Which statements about literary motifs are true? check all that apply. they appear repeatedly in texts. they define key terms. they develop themes. they reveal meaning in the text. they influence the mood of the work. they describe background information.

Every one of the assertions aside from their characterizing of key terms and giving of foundation data are valid.

Motifs are rehashed ordinarily through the text to set the spot just as characterize the subject and extent of the work.

They give importance to the text just as impact the general state of mind that the peruser can induce from these words.

Motif is an artistic procedure that comprises of a rehashed component that has emblematic importance to an abstract work.

The key angle is that a theme rehashes, and through this redundancy assists with enlightening the predominant thoughts,  Central subjects, and more profound significance of a story.

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ludwig van beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (about this soundlisten); german: [ˈluːtvɪç fan ˈbeːthoːfn̩] (about this soundlisten); baptised 17 december 1770[1] – 26 march 1827) was a german composer and pianist. a crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential of all composers. his best-known compositions include 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass, the missa solemnis; and an opera,

fidelio. his career as a composer is conventionally divided into early, middle, and late periods; the "early" period is typically seen to last until 1802, the "middle" period from 1802 to 1812, and the "late" period from 1812 to his death in 1827.

beethoven was born in bonn, then the capital of the electorate of cologne and part of the holy roman empire. he displayed his musical talents at an early age and was taught by his father johann van beethoven and composer and conductor christian gottlob neefe. at the age of 21 he moved to vienna, where he began studying composition with joseph haydn and gained a reputation as a virtuoso pianist. he lived in vienna until his death.

by his late 20s his hearing began to deteriorate and by the last decade of his life he was almost completely deaf. in 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life, commonly known as his "late" period.