We took turns watching over him and soothing his pain by sponging him with cool water. we could see that iqbal would recover quickly, to our nightly visits, the food, the water, and those oranges that alì had stolen from the garden for him. "brother," said salman one morning when iqbal finally returned to work, "you were really strong. nobody has ever had the courage to do something like that to hussain khan. do you realize how angry he still is about the carpet? iqbal is best characterized in this excerpt when the author uses the actions of iqbal to show that he is injured by the other boys. thoughts of iqbal to show that he is angry with the other boys. words of others to show that iqbal is foolish. actions of others to show that iqbal is respected.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects