Which of the following will strengthen parallel structure in the underlined sentence above?
question 1 options:
there are at least three aspects of hamlet of interest to a student of human emotions: grief, infatuation, and madness.
there are at least three aspects of hamlet of interest to a student of human emotions: grief, his being love-struck, and his madness.
there are at least three aspects of hamlet of interest to a student of human emotions: the death of his father, his being love-struck, and his mental state.
there are at least three aspects of hamlet of interest to a student of human emotions: his grief, his infatuation, and his madness.

"the story of icarus and daedalus," by ovid and "musée des beaux arts," by w. h. auden. then answer the question. what information in auden's poem is not included in ovid's story of icarus and daedalus?

Which if the following can you infer about maggie?

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.