Will give !asapfrom "jealousy the green-eyed monster and madness in shakespeare" much has been written already about hamlet’s mental state (bynum & neve, 1985). there has been much dispute about whether hamlet was melancholic, maniacal, neurotic, neurasthenic, hysterical or a malingerer. the analysis and understanding of hamlet’s character has also been influenced by the predominant theory of human personality of the relevant period – in the 20th century this was psychoanalytic theory. what is clear is that hamlet is a complex, dark and opaque enough character to generate potentially inexhaustible description and categorisation. that itself is a triumph of the genius of shakespeare. ((there are at least three aspects of hamlet of interest to a student of human emotions: his grief, his being love-struck, and his these aspects are obviously intertwined but need not be regarded as other than co-extensive.

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.