Read the excerpt from “first generation” of dreaming in cuban. she considers the vagaries of sports, the happenstance of el líder, a star pitcher in his youth, narrowly missing a baseball career in america. his wicked curveball attracted the major league scouts, and the washington senators were interested in signing him but changed their minds. frustrated, el líder went home, rested his pitching arm, and started a revolution in the mountains. read the excerpt from “like mexicans.” we talked for an hour and had apple pie and coffee, slowly. finally, we got up with carolyn taking my hand. slightly embarrassed, i tried to pull away but her grip held me. i let her have her way as she led me down the hallway with her mother right behind me. . carolyn waved again. i looked, back, waving. . her people were like mexicans, only different. which best states how the structures of the excerpts are similar? each relates an anecdote to appeal to the reader’s emotions. each presents factual evidence to appeal to the reader’s logic. each documents career credentials to appeal to the reader’s ethics. each discusses a political event to appeal to the reader’s logic.

Each relates an anecdote to appeal to the reader’s emotions.

The use of anecdote or story inevitably puts the reader in to the character’s shoes. The reader is able to feel what the character feels. In the first passage, it transmits the feeling of frustration that justifies El Líder’s resort to revolution; while in the second passage, the show of affection with embarrassment and eventual connection is clearly evident and is easily felt by the reader.

situational archetype describes the adventures of hero. the examples of situational archetypes are the quest, good vs evil, the task which represent respectively search, good forces, characters vs the evil ones and a certain job that must be done. from the given options, we cannot observe the subplot the beauty and the beast which is a correct answer for this question.

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: