Yet deeper than character, or even place, is another concept: voice. more than any other doorway to the imagination, i find this one the trickiest to open—and the hardest to close. for a character's true voice is heard, its tones, cadences, and ideas are long remembered. the ancients [people from ancient history] used anima, in fact, to describe breath as well as soul. that is wholly appropriate, for in the breath—the voice—of a character lies its essential spirit. if the writer can truly hear the voice of a character, so will the reader. the author writes, "if the writer can truly hear the voice of a character, so will the reader." what type of statement is this? (10 points) implicit interrogative explicit exclamatory

In julius caesar did portia use effective strategies when she tried to persuade brutus to tell her the truth?

Which statement best describe the objective of " "how to grow a school garden”?

How are the characters of tablin and keyn revealed in this excerpt from "the guard" by simon dunbar? a. indirectly through dialogue and by thoughts and actions b. directly through a narrative description c. indirectly through dialogue "where's my horse? " keyn asked. tablin looked around the dirt courtyard. he tried to peer through the shadowy arches of the flowing barrel. he even twisted in his saddle to look across the merchant's bazaar, past tents and warehouses filled with goods. "i don't know," he said. "did you leave it in your mouth? it's the only place i can think of that's big enough." keyn laughed; something got stuck in his throat half way, and he coughed for breath. "i can see you're good to go,” tablin observed as keyn struggled to clear his throat. “go get your horse yourself before i take the job and leave you to rot in the flowing barrel."