Need

how did the rapid pace of technological change influence cubist artists in the early 20th century?

a. it inspired them to create works celebrating social progress
b. it allowed them to produce highly realistic works
c. it convinced them to focus on emotion instead of form
d. it led them to reject traditional artistic conventions

the answer is d, it led them to reject traditional artistic conventions

D. It led them to reject traditional artistic conventions

Explanation:

Cubism was an artistic movement developed in 1907, created by the Spanish Pablo Picasso and continued in its infancy by Georges Braque, Jean Metzinger, Albert Gleizes, Robert Delaunay, Juan Gris, María Blanchard and Guillaume Apollinaire. gives foot to the rest of the European vanguards of the twentieth century. It is not just another ism, but the definitive break with traditional painting.

The term cubism was coined by the French critic Louis Vauxcelles, the same one who had baptized the Fauves by calling them fauves (beasts); In the case of Braque and his paintings of L'Estaque, Vauxcelles said, contemptuously, that it was a painting composed of "little cubes" and geometric figures. Thus the concept of "cubism" originated. Literary Cubism is another branch that expresses itself with poems whose structure forms figures or images that exemplify the theme, rhyme is optional and do not have a specific metric nor are they organized in verses.

answer; (religion)

the exact role and status of women in the roman world, and indeed in most ancient societies, has often been obscured by the biases of both ancient male writers and 19-20th century ce male scholars, a situation only relatively recently redressed by modern scholarship which has sought to more objectively assess women's status, rights, duties, representation in the arts, and daily lives; and all this from almost exclusively male source material dealing with a male-dominated roman world.

women in mythology

unlike some other ancient cultures such as the greeks who had formed a creation myth where woman was a creature secondary to man and, more specifically, in the form of pandora, a bringer of unhappiness and vices, the romans had a more neutral approach where humanity, and not specifically the male, was created by the gods from earth and water. ovid's metamorphoses, for example, does not specify whether the first human was a man or a woman. at least in a physical sense then men and women were not regarded as belonging to a different species as in the greek world, a view often reiterated in roman medical treatises.