This is a letter to John Brown from Frances Watkins, a free black living in Kendallville, Indiana. It appears in "Freedom's Unfinished Revolution," by William Friedheim and The American Social History Project. Nov. 25, 1859 Dear Friend: Although the hands of Slavery throw a barrier between you and me, and it may not be my privilege to see you in the prison house, Virginia has no bolts or bars through which I dread to send you my sympathy...I thank you that you have been brave enough to reach out your hands to the crushed and blighted of my race. You have rocked the bloody Bastille; and I hope from your sad fate great good may arise to the cause of freedom... To whom did Frances Watkins write this letter? What did Frances Watkins think about the person to whom she wrote the letter?

the influence of charles louis de secondant , baton montesquieu.

the image shown is not a reliable source. it is not a photograph taken of the event, and it is not a painting created by someone who witnessed the event. the image can be considered yellow journalism because it is sensational and exaggerated. the explosion did not likely cause bodies to fly in the air or create a large fireball, as shown here. the image was created to make the american public angry about the explosion, not to show what actually happened.

the painting is not reliable.

the painting is exaggerated.

the painting is inaccurate.

the painting was created to make the public angry, not to show what really happened.

i beleive that d is the right answer

0. how did the annual sum of their wages compare with the cost of tallow candles at potosí? tallow candles were 300,000 so for huancavelica it takes 3,000 years and for chaplains it took 350 years.11. compare the wages of the mita workers at potosí with the wages paid those amerindians (native americans) who freely hired themselves out? the amerindians made 3 to 4 times more than the mita workers.12. what do you conclude about these figures (6 – 9)? 2