Which of the following lines of Shelly's "On the Medusa of Leonardo Da Vinci in the Florentine Gallery" appeal to the sense of hearing and sight at the same time?

1. Whereon the lineaments of that dead face

2. Are graven, till the characters be grown

3. Into itself, and thought no more can trace;

4. 'Tis the melodious hue of beauty thrown

A:Tis the melodious hue of beauty thrown

B:into itself, and thought no more can trace

C: Are graven, till the characters be grown

D: Whereon the linements of that dead face

explain answer this question is English

A: Tis the melodious hue of beauty thrown  .

Explanation:

An appeal to the sense of hearing and sight will be something that presents an act that gives the readers a sense of the sounds in the writing. While an appeal to the sense of sight will present an image or a form of the picture to the readers. These types of sense appeals are used by writers to engage their readers' interest and keep them hooked.

In Percy Bysshe Shelly's poem "On the Medusa of Leonardo Da Vinci in the Florentine Gallery", the poet talks about the goddess Medusa but most importantly talks about the painting of "Medusa" by Da Vinci. The poem structured in the iambic pentameter scheme presents an image of Medusa and also how she was depicted by Da Vinci in his work. Out of the given options from the second stanza of the poem, the line that appeals to the sense of hearing and sight is "Tis the melodious (hearing/ sound) hue of beauty thrown (sight)".

Thus, the correct answer is option A.

a net is a diagram that shows a “flattened” view of a solid. in a net, each face and base is shown with all of its dimensions. a net can also serve as a pattern to build a three-dimensional solid.

a pyramid is a three-dimensional object with a base that is a polygon and triangular faces that meet at one vertex.

" the net of a triangular pyramid consists of four triangles. the base here we are given of the pyramid is a equilateral   triangle, and the lateral faces are also triangles "

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