Among the toraja people of sulawesi, indonesia, not all was going well with tourism. in fact, resentment became so great over the way in which sacred funeral ceremonies were being adapted to meet tourists’ needs that in the late 1980s, a number of toraja communities simply refused to accept tourists. the result is that host communities find culture and traditions under threat from the purchasing power of the tourism industry. neither are tourists better off from the cultural viewpoint. instead of getting rich and authentic cultural insights and experiences, tourists get staged authenticity; instead of getting exotic culture, they get kitsch. question: within the context of the narrative presented above, discuss 4 cultural differences (scollon and scollon, 1995) that may have prompted the toraja communities to resist the threats posed by tourism. your answer must be a minimum of 700 words and maximum of 1000 words.

Which theoretical perspective would lead you to consider the broader social effects of the division of labor between men and women in the household? symbolic interactionism queer theory conflict theory structural functionalism

Consider the speakers in "the raven" and the speaker in "the song of wandering aengus." write two paragraphs to compare and contrast the voice in these two poems. how does the poet give the speaker in each poem a distinctive voice? what effect does this voice have in each poem? use examples from each poem to as evidence for your answer "the raven"once upon a midnight dreary, while i pondered, weak and weary,over many a quaint and curious volume of forgotten lore—while i nodded, nearly napping, suddenly there came a tapping,as of some one gently rapping, rapping at my chamber door.“‘tis some visitor,” i muttered, “tapping at my chamber door—only this and nothing more.”ah, distinctly i remember it was in the bleak december, and each separate dying ember wrought its ghost upon the floor. eagerly i wished the morrow; —vainly i had sought to borrowfrom my books surcease of sorrow—sorrow for the lost lenore—for the rare and radiant maiden whom the angels name lenore—nameless here for evermore.and the silken sad uncertain rustling of each purple curtainthrilled me—filled me with fantastic terrors never felt before; so that now, to still the beating of my heart, i stood repeating“‘tis some visitor entreating entrance at my chamber door—some late visitor entreating entrance at my chamber door; this it is and nothing more.”"the song of wandering aengus." i went out to the hazel wood,because a fire was in my head,and cut and peeled a hazel wand,and hooked a berry to a thread; and when white moths were on the wing,and moth-like stars were flickering out,i dropped the berry in a streamand caught a little silver trout.when i had laid it on the floori went to blow the fire aflame,but something rustled on the floor, and some one called me by my name: it had become a glimmering girlwith apple blossom in her hairwho called me by my name and ranand faded through the brightening air.plz hurry

14) the most likely reason general william t. sherman wanted to control the rail lines running through atlanta, georgia, during his "atlanta campaign" was because he wanted to a) prevent residents of the city from fleeing to the north. b) cut off the flow of supplies to the confederate army. c) use the rail lines to quickly transport his troops. d) extend the rail lines into the northern states. eliminate