Ashley just got her driver's license permit. Today is the first day she has ever driven a car. Without questioning why, Ashley begins driving on the right side of the road. In sociological terms, Ashley can best be described as a/an

Everyday actor

Explanation:

An everyday actor can be defined as a person who has the practical knowledge necessary to be able to go through everyday situations. This type of knowledge does not necessarily have to have a scientific or technical basis for how things work. Many of us are everyday actors, where we can understand the operation of various things without the need to be immersed in a technical learning process. The situations of daily living can lead to a person being able to learn how to do or how something works.

In Ashley's case, without her having previously driven a car, he was able to drive correctly the first time. She was able to solve a situation in her daily life, where the willingness to learn and do it well plays a fundamental role so that she can drive smoothly.

the answer is the petition of right.

explanation:

offer to of right, real demand of attesting a benefit against the english crown, the most remarkable point of reference being the petition of right of 1628, which parliament sent to charles i fussing of a movement of oversteps of law. the term also implied the framework (invalidated in 1947) by which a subject could sue the crown.   taking a gander at the frameworks used by maria amidu to make a standard in 2015 commending the 1628 petition of right, which was sent to charles i by the english parliament. at uniquely based law the crown, or the sovereign in his official cutoff, couldn't be sued in the ruler's courts. since the ruler was, really, the superior ace of those courts, coordinating value in them between his subjects, he was not subject to their ward. therefore it transformed into a preparation, at whatever point a subject's certified or individual property had come into the responsibility for ruler or his specialists without legitimate perfect, for the subject to engage the master in chamber for its recovery.