In at least 150 words, identify evidence in "The Child is Not Dead" that reveals the source of Ingrid Jonker's inspiration for the poem. Explain how the poem was inspired by actual events in South Africa during apartheid.

Attitudes toward homeless people. negative attitudes toward poor people are negative when a person is homeless? to find out, a common. are attitudes more description of a poor person is read to subjects. there are two versions of this description. one begins jim is a 30-year-old single man he is currently living in a small single-room apartment the other description begins jim is a 30-year-old single man. he is currently homeless and lives in a shelter for homeless people. otherwise, the descriptions are the same. after reading the description, you ask subjects what they believe about jim and what they think should be done to 26 him. the subjects are 544 adults interviewed by telephone. outline the design of this experiment.

The year is 1776. the family of philosopher john locke has brought a lawsuit against thomas jefferson for copying locke's ideas. locke's family claim that jefferson's "declaration of independence" plagiarizes locke's ideas from two treatises on government. you are the judge ruling on the case. you must research how jefferson's ideas compare to locke's and determine whether or not jefferson is guilty of stealing locke's ideas. your paragraph opinion (a court document explaining how you arrived at your decision on a case) should contain the following: explain at least 2 ideas of jefferson and locke that are similar explain at least 1 idea of jefferson that is different from locke's determine whether or not jefferson is guilty of plagiarism explain why or why not ~~ you don't have to do the work for me but i really would like some with this, you ! ( if you would like to do it for me that's great too : )

Characteristics of substistence farming include all of the following except a. the use of pesticidesb. shifting cultivation c. farmers that stay in one placed. the lack of tractors and machinery