Which playwright and dramatist provided a new kind of dramaturgy that intended a wholesale repudiation of aristotelian catharsis (which depends on the audience's empathy with a noble character) and a denial of stanislavsky's basic principles concerning the aims of acting?

Mr Bertolt Brecht was a standout amongst the most persuasive writers of the twentieth century. The Good Person of Szechwan (1943), and The Resistible Rise of Arturo Ui (1958). Brecht was conceived in Augsburg, Bavaria, in 1898, and the two world wars specifically influenced his life and works. He composed poetry when he was an understudy yet examined pharmaceutical at the Ludwig Maximilian University of Munich. He left his pharmaceutical understudy to seek after composing and the theater.

Mr Bertolt Brecht composed theater feedback for a Socialist daily paper from 1919 to 1921. His plays were prohibited in Germany in the 1930s, and in 1933, he went into oust, first in Denmark and afterward Finland. Despite the fact that he figured out how to divert allegations of being a Communist, he moved to Switzerland after the hearings. He moved to East Berlin in 1949 and ran the Berliner Ensemble, a theater company. As a chief, he supported the "alienation impact" in acting—an approach expected to keep the audience candidly uninvolved in the plights of the characters.