Unlike baroque art from catholic countries, dutch baroque art focused upon the community. business life. the family and home. all of these: the community, business life, and the family and home. none of these answers is correct.

The Baroque art are based on the below:

the community. 
business life. 
the family and home

The prominence and accomplishment of the Baroque style were energized by the Catholic Church, which had chosen at the season of the Council of Trent, in light of the Protestant Reformation, that human expressions ought to discuss religious topics with the immediate and passionate association. The nobility saw the sensational style of Baroque craftsmanship and design as methods for inspiring guests by anticipating triumph, power, and control. Ornate castles are worked around a passage of courts, stupendous staircases, and banquet halls of consecutively expanding plushness. Nonetheless, "florid" has a reverberation and application that reach out past a straightforward lessening to either a style or period.

Concerto grosso was composed during the classical era. (sorry if i misspelt the name)

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.