And indeed there will be time to wonder, “do i dare? ” and, “do i dare? ” time to turn back and descend the stair, with a bald spot in the middle of my hair — (they will say: “how his hair is growing thin! ”) my morning coat, my collar mounting firmly to the chin, my necktie rich and modest, but asserted by a simple pin — (they will say: “but how his arms and legs are thin! ”) do i dare disturb the universe? in a minute there is time for decisions and revisions which a minute will reverse. —“the love song of j. alfred prufrock,” t. s. eliot which features of the passage you identify the narrative style as stream of consciousness? unusual, meandering syntax and revelations about the speaker’s thoughts and feelings rhetorical questions and descriptions of the speaker’s physical appearance vivid imagery, precise diction, and well-organized thoughts a preoccupation with modernism and an emphasis on concrete details

Javier is writing a literary analysis of the secret garden. read this introduction to his essay. frances burnett’s “the secret garden” explores the challenges of a sickly, self-centered little girl named mary lennox. after mary’s parents die of cholera, she moves from india to england to live at her uncle’s estate in yorkshire. while living at the old estate, mary discovers an abandoned garden that belonged to her deceased aunt. tending to the neglected garden brings mary joy, and her health improves. through mary’s transformation, burnett presents nature as a symbol of rebirth and healing. which piece of textual evidence should javier use to support the claim made in the introduction? a. “‘it’s in the garden no one can go into,’ she said to herself. ‘it’s the garden without a door. he lives in there. how i wish i could see what it is like! ’” b. “in india she had always felt hot and too languid to care much about anything. the fact was that the fresh wind from the moor had begun to blow the cobwebs out of her young brain and to waken her up a little.” c. “mary felt lonelier than ever when she knew she was no longer in the house. she went out into the garden as quickly as possible, and the first thing she did was to run round and round the fountain flower garden ten times.” d. “‘it isn’t a quite dead garden,’ she cried out softly to herself. ‘even if the roses are dead, there are other things alive.’”