Nora: [breathlessly]. torvald—what was that letter? helmer: krogstad’s dismissal. nora: call her back, torvald! there is still time. oh torvald, call her back! do it for my sake—for your own sake—for the children's sake! do you hear me, torvald? call her back! you don't know what that letter can bring upon us. helmer: it's too late. nora: yes, it's too late. –a doll’s house, henrik ibsen which statement best describes how the interaction between nora and helmer develops the plot? the letter is a symbol for the couple’s incompatible relationship. the couple is always in conflict, which will continue throughout the play. the couple has reached a point where the conflict has become more complicated. the couple will need to come to an agreement about krogstad, as things cannot get any worse.

Read the excerpt from david foster wallace’s infinite jest. my silent response to the expectant silence begins to affect the air of the room, the bits of dust and sportcoat-lint stirred around by the ac’s vents dancing jaggedly in the slanted plane of windowlight, the air over the table like the sparkling space just above a fresh-poured seltzer. the coach, in a slight accent neither british nor australian, is telling c.t. that the whole application-interface process, while usually just a pleasant formality, is probably best accentuated by letting the applicant speak up for himself. in this excerpt, the narrator is providing a, both objective descriptions and subjective commentaries. b. only objective information about people, setting, and events. c. only subjective responses to the things he sees and experiences. d. a compromised interpretation of events due to his unstable condition.