ASAP AM IN THE TEST RIGHT NOW

Which pair of lines from T. S. Elliot’s "Rhapsody on a Windy Night" is an example of onomatopoeia?

Twelve o'clock.

"Along the reaches of the street

Held in a lunar synthesis,

Whispering lunar incantations"

Dissolve the floors of memory

And all its clear relations,

Its divisions and precisions,

"Every street lamp that I pass

Beats like a fatalistic drum",

And through the spaces of the dark

Midnight shakes the memory

As a madman shakes a dead geranium.

Half-past one,

"The street lamp sputtered,

The street lamp muttered",

The street lamp said,

"Regard that woman

"Who hesitates toward you in the light of the door

Which opens on her like a grin".

You see the border of her dress

Is torn and stained with sand,

"And you see the corner of her eye

Twists like a crooked pin"."

I put quotation marks around the lines that are available for choosing

lets g

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).

there is no sentence to look at.