Read the passage from “Cruel Tribute.” "Now then," said Minos, "you shall hear my decree. Athens has robbed me of my dearest treasure, a treasure that can never be restored to me; so, in return, I require from Athens, as tribute, that possession which is the dearest and most precious to her people; and it shall be destroyed cruelly as my son was destroyed."

"The condition is hard," said the elders, "but it is just. What is the tribute which you require?"

"Has the king a son?" asked Minos.

The face of King Aegeus lost all its color and he trembled as he thought of a little child then with its mother at Troezen, on the other side of the Saronic Sea. But the elders knew nothing about that child, and they answered:

"Alas, no! he has no son; but he has fifty nephews who are eating up his substance and longing for the time to come when one of them shall be king; and, as we have said, it was they who slew the young prince, Androgeos."

By placing this passage at the beginning of the story, the author builds suspense for the arrival of
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Mark this and return

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects