[Lady Dedlock] supposes herself to be an inscrutable Being, quite out of the reach and ken of ordinary mortals-seelng herself In her glass, where indeed she looks so. Yet, every dlm little star revolving about her, from her maid to the manager of the Italian Opera, knows her weaknesses, prejudices, follies, haughtinesses, and caprices; and lives upon as accurate a calculation and as nice a measure of her moral nature, as her dress-maker takes of her physical proportions. Is a new dress, a new custom, a new singer, a new dancer, a new form of jewellery ... a new chapel, a new anything to be set up? There are deferential people, in a dozen callings, whom my Lady Dedlock suspects of nothing but prostration before her, who can tell you how to manage her as if she were a baby, who do nothing but nurse her all their lives; who, humbly affecting to follow with profound subservience, lead her and her whole troop after them. What do the different viewpoints of Lady Dedlock mostly emphasize? 1. how the privileged and those in their service often have conflicts
2. how the privileged typically control others by exerting their wealthy influence
3. how the way people serve Lady Dedlock contrasts with what she expects of them
4. how the way Lady Dedlock presents herself contrasts with how others perceive

Hurry i am on the semester test which theme is evident in this excerpt from robert frost's "mending wall"? but at spring mending-time we find them there. i let my neighbor know beyond the hill; and on a day we meet to walk the line and set the wall between us once again. we keep the wall between us as we go. to each the boulders that have fallen to each. and some are loaves and some so nearly balls we have to use a spell to make them balance: "stay where you are until our backs are turned! " we wear our fingers rough with handling them. oh, just another kind of out-door game, one on a side. it comes to little more: there where it is we do not need the wall: he is all pine and i am apple orchard. my apple trees will never get across and eat the cones under his pines, i tell him. he only says, “good fences make good neighbors." spring is the mischief in me, and i wonder if i could put a notion in his head: "why do they make good neighbors? isn't it where there are cows? but here there are no cows. before i built a wall i'd ask to know what i was walling in or walling out, and to whom i was like to give offence. . " a. the human desire for material gain b. the influence of financial constraints c. the positive effects of friendship d. the uncertain nature of human relations e. the futility of human yearning