Why was Life on a medieval manor was considered self-sufficient?​

10. how were the mycenaeans and the minoans similar? they did not enslave anyone or tolerate slavery in any form. they had an organized and strong central government. they designed and built heavily fortified settlements. they reigned and traded in and around the aegean sea.

Imagine that you have completed your paper. the following are two paragraphs you have written that contain direct quotations from your sources. below each paragraph is the source used. for each source, use mla style to create the correct in-text citation and place it in the correct place within the paragraph. gandhi did not grow up wealthy. of his family, he recalled, “my father never had any ambition to accumulate riches and left us very little property. he had no education, save that of experience.” like his father, gandhi became someone who valued experience over money. the quotation is taken from page 2 of this source: gandhi, mahatma. the story of my experiments with truth. 1927. new york: dover publications, 1983. print. gandhi’s experiences abroad taught him a great deal, but they certainly did not make him rich. according to indian scholar e.s. reddy, “…on january 9, 1915, m. k. gandhi returned to bombay after 21 years in exile, wearing a loin cloth and travelling from london in the lowest class of the ship.” few people suspected that this unassuming man would become one of the most powerful and beloved leaders in history. the quotation is taken from page 1 of this source: reddy, e.s. gandhi’s vision of a free south africa. hyderabad, india: sangam books, ltd. 1995. print.

Select the correct answer. how did powerful families such as the medici and the sforza spread renaissance ideas? a. they provided financial support to young artists and writers. b. they educated the poor children living in their own city-states. c. they constructed schools and colleges to teach the humanities. d. they borrowed money from banks to invite foreign artists to italy. e. they promoted contemporary works over religious works.