In a vacuum, electromagnetic waves all move at the speed of light.

true

false

the exact role and status of women in the roman world, and indeed in most ancient societies, has often been obscured by the biases of both ancient male writers and 19-20th century ce male scholars, a situation only relatively recently redressed by modern scholarship which has sought to more objectively assess women's status, rights, duties, representation in the arts, and daily lives; and all this from almost exclusively male source material dealing with a male-dominated roman world.

women in mythology

unlike some other ancient cultures such as the greeks who had formed a creation myth where woman was a creature secondary to man and, more specifically, in the form of pandora, a bringer of unhappiness and vices, the romans had a more neutral approach where humanity, and not specifically the male, was created by the gods from earth and water. ovid's metamorphoses, for example, does not specify whether the first human was a man or a woman. at least in a physical sense then men and women were not regarded as belonging to a different species as in the greek world, a view often reiterated in roman medical treatises.

character development is the internal change an individual, a fictional one in this case, undergoes through the course of a story as a result of the conflict or conflicts that person encounters. options 1,2 and 5 don't offer much of this since they mostly just describe the momentary actions and reactions of edna pontellier. in kate chopin's the awakening we first meet edna as someone in a sort of semi-conscious state and completely unaware of her own feelings and ambitions. as the story progresses she becomes more self aware of these ambitions and gaining also the confidence to act on them on quotes 3 and (mostly on) 4 we begin to see these changes on her.